"When Martin Grace enters the hip Philadelphia coffee shop Cornelia Brown manages, her life changes forever. Charming and debonair, the spitting image of Cary Grant, Martin sweeps Cornelia off her feet, but, as it turns out, Martin Grace is more the harbinger of change than the change itself." "Meanwhile, on the other side of town, eleven-year-old Clare Hobbes must learn to fend for herself after her increasingly unstable mother has a breakdown and disappears. Taking inspiration from famous orphans (Anne Shirley, Sara Crewe, Mary Lennox, and even Harry Potter) Clare musters the courage to seek out her estranged father. When the two of them show up at Cornelia's cafe, Cornelia and Clare form a bond as unlikely as it is deep. Together, they face difficult choices and discover that knowing what you love and why is as real as life gets."--BOOK JACKET.
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Philadelphia cafe manager Cornelia Brown drifts effortlessly through her unattached life, unapologetic for idealizing romance and breathlessly recommending The Philadelphia Story to the reader and everyone else. Eleven-year-old Clare is a child of divorce whose mother, a successful party planner, is quickly going to pieces. In alternating chapters of Cornelia's first person and Clare's free and direct third, poet de los Santos, making her novel debut, tells the story of their finding each other. That Cornelia, early on, immediately falls for Cary Grant doppelgänger Martin Grace is no surprise; his relation to Clare, revealed a third of the way in, isn't really either. As she discovers maternal instincts she wasn't sure she had, Cornelia works up the courage to face her own feelings for Clare with honesty. As Martin exits, Cornelia's childhood friend Teo enters, but neither makes much impact, and Clare's rather serious issues get reduced to Clare-did-this, Clare-thought-that episodes. The two main characters exist for one purpose: to enact a cross-generational, strong-but-vulnerable-and-loving, screenplay-ready femininity. Chick lit? You bet: with rights sold in at least eight countries, and, indeed, to Paramount Sarah Jessica Parker will star and coproduce with Sideways's Michael London. The book is fine, but for this property, it's a case of waiting for Carrie to walk in. (Jan.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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Cornelia is a sprightly little thing who's stuck in a rut managing a coffee shop and watching her beloved film classics in her spare time. Then, right out of the movies, "love walked in," looking just like a modern-day incarnation of Cary Grant. Martin seems to be perfect for Cornelia, until she meets his ten-year-old daughter, Clare, whom he had failed to mention. When Cornelia learns that Clare's mother, Martin's ex-wife, has disappeared, she steps right into the situation. Narrated by Cornelia and Claire in alternating chapters, this is the story of how two lives intersect and a great relationship blooms from an unexpected seed. Poet de los Santos's debut is a light, sweet read with just a bit of substance underneath. Sarah Jessica Parker is slated to star and coproduce the film version with Sideways producer Michael London, and it seems like a good match. This may be one of those books that will be even better on the big screen. Recommended. [See Prepub Alert, LJ 8/05.] Beth Gibbs, Davidson, N. Beth Gibbs, Davidson, NC Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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Cornelia is a single thirtysomething who lives her life like a series of movie moments. She's a manager of a cafe because she hasn't figured out anything better to do. Her ideal man is Cary Grant. And just when she thinks he'll never show up, he does, in the form of Martin Grace. What she doesn't know is that Martin, with his cool charm and debonair demeanor, has a daughter, Clare. And she never would have known that except that Martin, in a state of panic, shows up with the girl at the cafe after her mother had a breakdown and left Clare to fend for herself. Estranged from his daughter for years, Martin doesn't know what to do with her. Both women's stories are told in alternating chapters, Cornelia's in first person, Clare's in third. This is a first novel with some wonderful and heartbreaking moments scattered throughout, along with some moments that are purely contrived for the forward movement of the plot. Overall, it is a sweet story about knowing what you love and why. CarolynKubisz.
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